I create humanoid sculptures using a wide range of materials to explore femininity, sexuality, power, and the perception of the female form. My practice centres on surreal figurative sculpture, combining acrylic, resin, epoxy, and found objects to construct highly stylised, hybrid figures. Each work begins with a tinfoil and wire armature, built up in layers of polymer and resins to refine the silhouette, often incorporating animalistic traits to produce forms that feel both familiar and otherworldly.

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My sculptures are designed to both captivate and unsettle. Through exaggerated proportions, hyper-feminised forms, and the use of synthetic materials, I create surfaces that are seductive yet artificial, reflecting an increasingly synthetic and fabricated world. By distorting the body, and amplifying features, I blur the line between character and caricature, using contrasting colours and surreal textures to heighten visual intensity.

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My work examines femininity and womanhood within contemporary society, particularly in relation to objectification in a digital age. The figures invite visual consumption, echoing the ways in which women are mediated and consumed, but their direct gaze disrupts this dynamic, confronting the viewer with the discomfort of objectification. Through abstraction and material experimentation, I seek to expose tensions between beauty, gender norms, and objectification, reclaiming the female body in ways that are both empowering, unsettling, and impossible to ignore.